Friday, December 17, 2010
I'm intrigued by Edward Hopper. What he does with composition especially gets me thinking, although most critics concentrate on the apparent lost-ness of his subjects. Granted this article has nothing to do with books, but if you've seen Hopper painings and thought about them, you'll enjoy it. 'Hopper spent time in Europe during the 1920s. He was living in Paris on and off when the ex-pat scene was at its very height. Impressively, it doesn't seem to have affected him much at all. That's what you want to admire about Hopper. His Americanness was so real, and so deeply rooted, that continental trends and ideas bounced right off him. He was still trying to find his way as a painter in the '20s. He had every reason to dabble in the trends. But he didn't. He didn't want to be an abstract painter. His mind was not blown by Cubism. He did not succumb to the excitement of any avant-garde. How many of us have ever shown that kind of resolution? It is not that Hopper lacked ambition. He wanted to be a great painter. He wanted to be relevant. And yet he stuck to his realism, to his representational style, to everything that was being rejected by so many of the celebrated painters of his day. Admirable.' More...
Posted by Jim Menick at 9:36 AM